Home > RIPL > Vol. 15 > Iss. 4 (2016)
UIC Review of Intellectual Property Law
Abstract
Tattoos have experienced a significant rise in popularity over the last several decades, and in particular an explosion in popularity in the 2000s and 2010s. Despite this rising popularity and acceptance, the actual mechanics of tattoo ownership and copyright remain very much an issue of first impression before the courts. A series of high-priced lawsuits involving famous athletes and celebrities have come close to the Supreme Court at times, but were ultimately settled before any precedent could be set. This article describes a history of tattoos and how they might be seen to fit in to existing copyright law, and then proposes a scheme by which tattoo copyrights would be bifurcated similar to architecture under the Architectural Works Copyright Protection Act.
Recommended Citation
Matthew Parker, That Old Familiar Sting: Tattoos, Publicity, and Copyright, 15 J. Marshall Rev. Intell. Prop. L. 762 (2016)
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